You learned the two greatest thing in life, never rat on your friends, and always keep your mouth shut.
I go to Paris, I go to London, I go to Rome, and I always say, 'There's no place like New York. It's the most exciting city in the world now. That's the way it is. That's it.'
With 'Silver Linings,' I didn't feel - I was thinking of certain things, but I just said, 'Let me go with it.' You have to know what you're doing, where you're going with the scenes, and I put a lot of work into that. But when you're out there, at the same time you gotta be ready for anything.
I have so much respect for directors. It's a tremendous amount of pressure; you have to keep steadfast and keep what you know is right.
There is a certain combination of anarchy and discipline in the way I work.
When you make a drama, you spend all day beating a guy to death with a hammer, or what have you. Or, you have to take a bite out of somebody's face. On the other hand, with a comedy, you yell at Billy Crystal for an hour, and you go home.
I don't get into these long-winded heavy discussions about character - do we do this or that or what. At the end of the day, what you gotta do is just go out there and do it.
The hardest thing about being famous is that people are always nice to you.
I love to find new people. It's not for the sake of their being new; it's because if you find someone who perfectly fits a part, that's such a great thing.