At first, I didn't focus that much on the Internet. I was more, 'I'm going to write songs,' and I'd have sung that song out in a club, pub, or a jam session or whatever 10 times before I recorded it. We live in an Internet age, and if you don't embrace it, you get left behind a bit.
Nobody told me how to sing, so I just thought I'd try and sing like Howlin' Wolf. It was like a bark; there was melody to it - but I would go off a bit and I wouldn't stick AutoTune on it or anything to make it in key. Even now, I couldn't tell you about harmonies. I couldn't tell about what notes I'm singing because nobody taught me to sing.
When I was 15, I wanted to be a jungle MC. Everybody I knew wanted to be Stevie Hyper D or Skibadee or whatever.
The insomnia just perpetuates. I have one bad night, then I get it in my head that I can't sleep. I've been trying these meditation tapes - there are a couple on Spotify - and they're meant to calm you. But they don't seem to work.
I like the dirty venues better - Brixton Jams is like home.
It's a weird thing, beards now. I'll be in east London, and lads come up to me: 'Yo man, what beard oil do you use?' I'm like, 'I don't know what you're talking about.' It's just laziness.
Me and my dad used to go to these jam sessions and open mic nights, but I was always scared of singing on stage. It felt different to rapping - more pressured.
Rag 'N' Bone Man is for everybody, like Wu Tang is for the children.
I did Jools Holland, which was bonkers because it's an institution, and as a family, we've all been into it our whole lives, and then I did Hootenanny. I took my mum and dad along, and they were sat there next to Gregory Porter and Chaka Khan. My dad was just laughing, like he couldn't believe it was real.
I've got 99 problems, and most of them are height-related.
I've been writing a lot more folky, country type stuff. One of the reasons I wanted to write in the first place was because of Darrell Scott.
Close to my heart is Muddy Waters. I love the way he sang. It was almost like a bark. It was like the bark of a dog: it's not fancy. Sometimes it's not like singing; it's like shouting.
I used to go round to my granddad's house on a Saturday morning, and we'd sit and eat our porridge and watch re-runs of 'Steptoe and Son' on BBC Two. I thought it was hilarious - and Rag 'N' Bone Man sounded like a blues name to me. It reminded me of people like Sonny Boy Williamson and Big Mama Thornton.
When you get to your teenage years, you want to find something that you identify with. It's almost a slight rebellion; you don't want to listen to what your parents listen to anymore; you want to find your own music. That, for me, was hearing the Fugees for the first time.
I had some really early recordings when I was 16 or 17. I was rapping over jungle beats with my friends. We used to do pirate radio stations in my area, down near Brighton. They were pretty terrible.
I used to sing as a kid, but it was quite squeaky. I think I was about 19 or 20, and we used to go to these jam sessions and open mics. I just got the courage to sing one day. I don't think anyone expected it to sound like that.
Hip-hop was the music that actually got me excited about it and the actual prospect of performing. I think I loved music from an early age because my parents wanted me to love it as much as they did. It was constantly there.
My mum always wanted to send me to a music school, but we didn't really have the money. So even now, I'm not a technically good singer. If you asked me to sing a particular harmony, I wouldn't know how.
I grew up in a little town called Uckfield, and there's not much to do - so we used to fight a lot. I was never in serious trouble, but we used to have the local bobby round the house saying, 'Rory's been up to this again.'
I'm new to a lot of people, and I don't think anyone wants to listen to 16 tracks of a new artist.
