I remember being this little girl missing her daddy and living so far away in France and from anything that was familiar to me. I felt so different and so isolated. When you're removed from everything that's familiar, you realize who you are.
My first year of university, I ran around and signed up for these clubs, and I noticed they were all drama clubs: really lame, artsy things.
At the end of my first year, I realized I wanted to do more drama, so I actually started an extracurricular course outside of university. So I was at school all day writing, and in the evenings I'd go to drama school. So it was nonstop.
Even though I was manically overachieving and involved in everything, I still never felt like I belonged. That's definitely affected my whole life and why I wanted to become an actor and tell people stories, because communication and feeling like you belong is such an integral part of our social fabric.
T.S. Eliot was one of the first poets introduced to me when I started studying literature and has felt like a close friend ever since. No one nails urban despair quite like Eliot.
I think that film combines almost every element that makes human life worth living.
Ever since I can remember, I've worn big black boots. They are super warm and get me where I need to go.
Melbourne, where I grew up, is one of the street art capitals of the world. Something about discovering freshly painted walls always fills me with optimism; it's autonomous and democratic, and reminds me that maybe people are paying attention after all.
