There's no book to figure out how not to become a victim of police brutality.
As for facial hair, I think I decided it was a good look after graduate school. I always shave it myself and trim my own beard. I change the look depending on the role. For 'Million Dollar Baby,' I had no facial hair. For 'Men in Black 3,' I had no facial hair but did wear a wig.
I think, in a career, you have several breaks that lead to a big break. Small things here and there all add up to cracking away at the dam. Then the dam breaks.
When Barack Obama got elected, I remember being in Harlem specifically. I remember watching that whole part of town just swell. People walked the streets, but it wasn't a riot - it wasn't mayhem. It was a unified feeling of euphoria.
Sometimes we just sit around and sit on our hands and don't do anything because it's like, 'Hey, that's not my problem.' You can't do that when you're a superhero.
Comic book heroes are an important part of our culture, so I think we're actually utilizing comic book heroes in a much more in-depth way than before. They have such potential, and I think we're maximizing the potential.
I'm really starting to get bored with myself, doing the same workouts. 'Oh here we go again.' I need someone to crack the whip. I need someone to kick my butt because sometimes I can end up taking it pretty easy on myself.
I got lucky. To be frank, I was surrounded by white teachers who never did the whole, 'You're never going to amount to nothing' thing you hear about in the South. Instead, they would say, 'You're really smart. You can do this.' If I hadn't gotten that, I don't know where I'd be.
When you're a black man in a hoodie, all of a sudden you're a criminal. That's something we shouldn't have to deal with, but we do. It's a double standard. We can't cover our head when it's cold and raining because God forbid someone sees us and puts our life in danger.
As artists, we are so not in control most of the time of the content or the narrative of our characters, and sometimes writing takes a turn and it's not something we necessarily have control over. It's just a lot of random dumb luck, so when things click, you've just got to enjoy it.
I didn't sit around thinking, 'I'd love to play Luke Cage,' but when the character was presented, I did my research, and I was just like, 'This is a real gift. He's a great character, and I'm happy to have a chance to take a crack at him.'
Dialogue is not always the best way to show emotion, to show your thought process, or to reveal yourself, as a character.
I don't think Luke Cage as a superhero is something that has changed dramatically from the '70s to now. He's a black man going through the same thing as other people of colour - it's just that he has superpowers.
The big budget films have money to do things that are not necessarily essential but sure are comforting. The catering is usually much better. And you have way more of anything you could possibly need. You definitely get a trailer. My shirt and suit for 'Million Dollar Baby' were tailor made.
I always make a joke: 'Don't look into the future; it's too bright.' That's as positive as I can be.
Harlem is really a melting pot for a lot of different people. When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place.
Cops and criminals aren't that different. They just play by different sets of rules. And the lines get blurred. There's no such thing as 'right' and 'wrong.' There's always a grey area. There are always hypocrisies.
My mother wanted to be an actress. She wanted to follow her dreams, and she never really got a chance to do that. I feel like I'm following her dream in a way.
I am not walking around looking like Luke Cage does at all.
What makes Luke Cage unique isn't him being black. Yes, he is black, but he has other things.
