I've done two motorcycle pictures: I did 'Beyond The Law,' and I did one produced by Tarantino called 'Hell Ride,' with Dennis Hopper and David Carradine and Vinnie Jones. And I just think 'Hell Ride' was a lot more of what a biker movie should be. But the good part of 'Beyond The Law' was that I had a good time with Charlie Sheen.
Maybe I was just born in the wrong era, man. I'm a bit of a throwback to the days of black and white movies. Those guys back then, they had a certain kind of directness about them. A lot of the screenplays, the plots were very simplistic - they gave rise to a type of anti-hero that maybe I suit better.
I'm kind of hard to double, but I did have one guy for a while as my double. I kind of like to do my own stunts, though, because it's just the overall experience. Sometimes you have to step aside when the stuff gets really dangerous, but I feel like sometimes you have to do your own stunts to make the role seem real.
I worked a lot of non-acting jobs for a really long time. They ranged from auto mechanic to landscaper to manual labor to working in a factory that made airplane parts. I even tried to go to school as a paramedic and ended up being an orderly in a hospital.
'L.A. Confidential' was written with me in mind, but Russell Crowe got the part. Go figure.
Encourage your kids' artistic side. Toughen up everything else.
I do get cast in the same role a lot, but the truth is, I just want longevity. The thing is, I'd rather be stuck in a stereotype than be nowhere. The whole typecasting thing started because of 'Reservoir Dogs.' And I did a bunch of other films like 'Wyatt Earp' and 'Free Willy,' but no one seems to remember those.
I'm not a publicity hound. I don't care about being on the cover of 'GQ' or 'Vanity Fair.'
'BloodRayne' was an abomination... It's a horrifying and preposterous movie.
You get these horrifying straight-to-video things for very little money, then you go to the Cannes Film Festival, and they got some poster of you, 40 ft. high, in the worst movie in the world.
What people don't always understand is that I established a certain lifestyle for my family back in the days of 'Species' and 'Mulholland Falls' and 'The Getaway.' I wasn't about to move my six kids into a trailer park. So when people offered me work, it wasn't always the best, but I had to buy groceries, and I had to put gas in the car.
I probably made a few pictures I shouldn't have done, but I have four sons and I have to pay the rent. If you have a decision to make about whether or not you can buy groceries at the market or whether or not you're going to make a bad movie, you're going to make a bad movie.