Clothes are like a good meal, a good movie, great pieces of music.
My legacy would be that you don't have to give up anything. You can be chic but have a sense of humor, you can be sexy but comfortable, you can be timeless but fresh.
I wear the same thing every day. I always pack two black jackets, loads of black T-shirts, loads of white jeans. I feel a little fresh and glamorous and graphic.
The biggest lesson that I've learned is that fashion is this tightrope where you have to be consistent but inconsistent. You need the connective thread but at the same time you need a sense of surprise.
I can sketch up a storm, and I'm very involved in how clothes are constructed, but I have a short attention span.
I grew up surrounded by these tough, ballsy, strong women. They were also adoring women, but they were the kind of women who would argue over what kind of pants you were wearing or the color of your nail polish.
People always think that designers hate each other. And we're certainly a competitive lot, but we also enjoy each other's company.
North Americans as a whole need to embrace having clothes altered to their body. I hear it all the time: why do the Europeans always look so good? They have a relationship with their tailor and spend the time and money to make their clothes look their best.
There are two kinds of designers: ones who are very happy locked in their office surrounded by their coterie. The last thing they need to do is to go to a trunk show; they'd go running for the hills. I not only enjoy it, I think, how do you design things that are applicable to life - unless you live it?