The beautiful thing about writing with the person that you love is that when they come up with an idea that is great, it's this dual happiness because that's the partner and that's such a good idea, and I'm proud of you, and then also I'm really excited for the project.
When my husband came to my parents' house for the first time, he asked, 'Why is everyone screaming? Why are they so angry?' I said, 'No one's angry. This is just how we communicate.'
When I first went to acting school, they made me lose my accent, which is very upsetting for me. The first day of Shakespeare class, I remember the professor was like, 'Oh, boy. Oh no, no, no, no. No, no, no,' and sent me to a voice and speech class to get rid of the accent immediately.
My mom has a very high-pitched voice, and there are some similarities between her and the voice I use on 'Big Bang,' although my mom has the Jersey accent, so I took that out. But the tone of the voice is very similar to my mother's.
I love an arcade. I love a boardwalk game. But I also love a rollercoaster. Though I think the rollercoaster love comes from the fact that it took a really long time for me to reach the height requirement, so I promised myself very early on that when I reach that, I will not take it for granted.
When I was out of work when I first moved to L.A., one of the first things my husband and I did was buy season's passes to Disney, and whenever I was bummed out about work, we would go to Space Mountain, and it was like a physical injection of anti-depressants.
I was kind of like the Rhea Perlman of the bar. I was like Carla on 'Cheers.' People were more afraid of me. There was a point where I got a little surly. There were only so many chicken wings I could serve before losing the smile on my face.
I knew from a young age that I wanted to perform. I went to an arts camp called Brookdale Arts Camp, in New Jersey, from the time I was 6, and then I was a counselor there through high school.
I was a theater dork in high school and did all the plays. My theater teacher in high school, Janet Spahr, was absolutely incredible and mentored me throughout school. She taught me a lot about relying on my instincts.
TV was my life, growing up. I ran home from school to watch television, and even did my homework with the TV on - my mom had a rule that as long as my grades didn't fall, I was allowed to. So it was my dream to work in television.
The live performance aspect of shooting a multicamera sitcom is wonderful. You have that instant audience reaction.
When I'm trying to find my way into a character, the voice and physicality are the first two things I do.
The thing that stand-up does for you is that it toughens you up a bit as far as the business goes. It's hard. If a joke doesn't get a laugh, that's instant rejection. And that's mostly what this business is most of the time: a lot of rejection.