I'm so thankful to have been born in the times that we live in.
Outside of, as a kid, just wanting to be able to fly and run faster than a speeding locomotive and being able to leap tall buildings in a single bound, we'd like to hope that, when push comes to shove, we can do the right thing. I think as long as there is that hope in our society and in the zeitgeist of superheroes, Superman will be relevant.
It's all about communication and a dialogue between individuals - get rid of the labels, get rid of the shame, get rid of the stigmas and just be your most authentic self.
For me, I look at a pilot and go, 'I see the landscape. I see the characters. I see the direction and the potential of the story.' And I also go, 'That didn't work. I could change that. Maybe that works. I don't know. We'll see.' For me, I look at it, as an actor, as what can I improve upon?
Everybody thinks that equality comes from identifying people, and that's not where equality comes from.
Our high school offered a comprehensive drama department where I was doing 'Angels in America' at 14.
'The Kids Are All Right' is amazing. The performances are insanely good. Julianne Moore is going to wreck you. This is the best I've ever seen her, and I've seen everything she's ever done. I like the story, and I think it's a great alternative to the big summer popcorn blockbusters.
I remember I was really, really proud the first moment I got my insurance and also just going in to get my SAG card and filling out the form and realizing I was a member of all the unions I could be a part of as an actor. It was a really fulfilling experience for me.
I consider 'White Collar' my home base. I'm so lucky to get to play a character that's very multifaceted and the writers take risks on and never get into a staid process with.
I used to go to sports camp every summer. I'd make a lot of new friends, and it was all athletic. It was basically a place for parents to send their kids to run out all their summer energy for two weeks.