I think there is a tendency for people to get rigid and caught up in their beliefs of what is right and wrong, and they lose sight of humanity. Being human has to come first before right or wrong.
We're so quick to go to make things black and white, and to put things in their box. But everything is this mixture - and that's what this world is - is this blend of different things.
What is it to keep kosher? Is it eating kosher potato chips? Kosher is a bigger idea. I think it's about being healthy. But according to some people, it's about not eating this food because it's forbidden by the Jewish law. My view of the halachah changed a little bit. The laws are there hopefully to be a tool.
There's something really powerful when I, for example, hear Bob Marley's 'Exodus' - we know where we're going. We know where we're from.
In Judaism, there are a lot of rules - everything from which fingernail you cut first to which side you sleep on in bed, to the way you get dressed in the morning, to actual ideas, like ideas about being chosen people or ideas about female/male and how to interact with people from the opposite sex.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
Is it possible Hanukkah doesn't inspire folksy songs? Plot lines may be a part. The Christmas story has a lot of material to work with. There's Jesus and his birth, the wise men, their gifts and tons of frankincense.
Songs that aren't even remotely connected to Christmas are now officially canonized Christmas tunes. 'Frosty the Snowman,' 'Jingle Bells' and 'Winter Wonderland' never mention anything religious but are still notches in Christmas' belt of musical dominance.
When there's light shining on a tree, that tree takes on different meaning. If there's no light at all it just looks dead. If you look at light as godly meaning, the world comes alive in a certain way.
For me, it's always this constant battle and search when I'm out on stage as to where and when do I really open myself up to the people that are there. How do I let myself feel present in the space, and how do I allow myself to get into the music and interact with the band members.
I enjoyed coming home to Crown Heights. There was a certain order to life there. You know, Shabbos, spending time with your family, eating and being in 'shul.' Prayers at nighttime, prayers in the morning. Everyone knows everybody; you walk your kids everywhere.
Reggae music isn't Jewish, but a lot of the ideas are.
I have a whole regimen to my day: my vocal warm-ups, my prayers, my meditations... I pray three times a day. I try to have a real experience praying, not just do it. I really get deep into the idea and really try to get somewhere with it, to have an in-depth understanding of the idea.
Most of my life wasn't about knowledge from books, but experiential knowledge.
Vocal rest is awesome. It is like any kind of fast. Firstly, it is a purification of speech. It made me realize how not careful I am with the things I say. It also makes you find new ways of communication and new methods to connect with people.
I get on a real serious health kick when I'm on the road, because as a singer, you can't really get sick. If you get sick, your whole instrument stops working. I've done all these different vitamin drinks. I drink coconut water, and I run. I eat food. I juice.
Literally, there is a lot of talk about sparks in the Kabbalah. It talks about when God created the world initially, there was an explosion that happened like a Big Bang but based on vessels and light.
When I'm meditating on an idea, I try to let the idea completely saturate me to the point where I feel like I'm covering myself in it or totally immersing myself in it, so that everywhere I'm looking, everywhere I'm going, it's through the lens of that idea. And that's sort of what I do with the music - I try to lose myself in it.
One of the first places where I started to respond to song lyrics was in reggae music. A lot of what I was responding to were references to the Old Testament. It was not that I had to adapt the lyrics to the sound. Reggae and the Old Testament are bound up together. There wasn't anything that I had to do.
My mother's sister married a man from Barbados, and my cousins were raised in Barbados. So we traveled down there, they came up every summer for camp, and I started paying attention to their music. And that was the first place I ever remember hearing reggae and liking it.
