Kensington Market is a must visit place in Toronto.
I'm a really cautious person, so I don't let myself get into near-death experiences. I'm not into the idea of skydiving or anything.
But as an actor you do want to challenge yourself and step outside what you have done in the past and that what I like to do, I like to jump around and try different things and stretch myself.
I don't have any premonitions. I don't have any supernatural powers. I just have a typical woman's intuition, and I go with that.
I don't have phobias. I'm pretty laid back. Nothing really bothers me. I can handle things pretty well.
You don't have to play masculine to be a strong woman.
I can remember when 'Pulp Fiction' came out. I was, like, 10 years old. But I remember the impact that it had.
I love playing characters that are strong, when there's physicality involved.
I love anybody who's willing to stick to their own vision, their own voice, who's not easily swayed by money or by financers who are going to tell them what they should do.
Usually a lot of moviemaking is boring.
I have a lot of different traits to my personality, depending on who I'm around, and what the dynamic in the situation is.
I think when I was 12, when, like, 'Titanic' and 'Romeo + Juliet' came out, my friends and I made our own Leonardo DiCaprio fan club. I definitely had a thing for him.
I'm a huge Paul Thomas Anderson fan.
I've always been a huge fan of 'The Shining,' and 'Rosemary's Baby' is one of my favorite films of all time.
I think since I'm not particularly well-known as myself, it's funny all the different perceptions people have of me. Like, if someone's only seen me in 'Death Proof,' they think I'm sort of a ditzy girl who says stupid things and wears revealing outfits all the time.
I think for most actors, because we sort of have to tell ourselves this, we always say, 'Oh, it doesn't mean anything to win an Oscar!' It certainly isn't a goal that you want to set yourself up for, because then you're just setting yourself up for disaster. Because how many people actually win an Oscar?
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
Obviously, we're all going to die at some point. Whether or not we are fated to die in some way I think is debatable. I just don't know which side to debate.
I think a lot of fans immediately go, 'ugggh' when they hear that someone is doing a prequel or a remake, they sort of assume the worst sometimes.
Sometimes, with directors, you have to take what they say and translate it in your head, into something that makes sense to you, because you're speaking two different languages.
