'Celluloid' is set in the 1930s. During the decade, the folk-classical genre seems to have been in vogue. It didn't take much effort to compose because my guru Neyyattinkara Mohanachandran and his guru, M. M. Dandapani Desikar, used to sing this genre.
In any art, unpredictability is the delightful factor.
Usually people like experimental music which is usually not the case in Carnatic classical concerts.
The society has an obligation to protect younger generation and prevent them from the use of tobacco products.
Every song has a mood, a situation and a different kind of score.
Usually all lullabies are featured on a mother and child. But in 'Kalimannu,' it is picturised on a mother-to-be who is singing to her unborn child. I found the entire concept so beautiful.
If a singer wants to improvise while recording a song, he has to get the permission of the composer.
In the past 20 years of musical journey, what I realized is that one need to respect their teachers, elders and parents and their blessings are more than enough for one to reach success. I believe it as my success mantra.
Actors are given songs that suit their voice and skill. At the same time, those songs which have a complicated tune and need expertise to perform should be given to trained singers.