It's so daunting to walk into a classroom or a school auditorium. It's like the world's weirdest blind date. I know all the students are thinking, 'Who is this tool standing up in front of us?'
We're comfortable with women in certain roles but not comfortable with women expressing anger or fully accepting their power. The most daring question a woman can ask is, 'What do I want?'
I love to be scared. Not, 'Hey, I think I smell smoke...' scared, but creepy, paranoid, what's-that-out-there-in-the-dark, ghost story scared. It's no surprise that I was the girl who got invited to the slumber parties because I could be counted on to tell a tale to scare the bejesus out of you.
My joke is that my father was a minister and my mother was an English teacher, so I'm trained to see the world in terms of symbols, which is hard when you just want to make toast.
We're still expected to color within the lines of accepted femininity, and women who step out of those lines are usually attacked, whether verbally or physically.
'Pastoralia' by George Saunders. Possibly my favorite book. It's one of the weirdest books I've ever read. If Monty Python and Thomas Pynchon had a love child, and it was raised by Frank Zappa on a weird commune, that would be this book.
So much of the literature we had to read for high school English class was filled with victimized, tragic, symbolic women who spurred the plot forward with their inevitable shunning/death/shunning-followed-by-pregnancy-followed-by-death timelines.
I'm one of those people who has to write. If I don't write, I feel itchy and depressed and cranky. So everybody's glad when I write and stop complaining already.
I got married in Florence, Italy. My husband and I were in love but totally broke, so we eloped and got married in Italy, where he was going on a business trip. We had to pull a guy off the street to be our witness. It was incredibly romantic. Florence is still one of my favorite cities in the world.
'The Catcher in the Rye.' When I was a teenager, that was my book; yes, somebody gets it, somebody gets adolescence.
You know that moment in 'The Matrix' when Neo takes the red pill and is plunged into the real world? That's what it felt like when I first read 'Watchmen' - like someone was taking a can opener to my head to make room for Moore's audacious brilliance.