I want every Filipino woman empowered with information regarding all options available to her regarding family planning.
It's in your DNA to be a Filipino; how can you just turn your back on it?
I have a half-brother who is very, very, very gay, many cousins, best friends who are all members of the LGBT community, and for me to not say anything would be hypocritical. There is a lot of prejudice. People think it is abnormal. No, it's just another normal.
I play video games a lot... I love to read... I enjoy spending time with my husband and daughter, who are my most favorite people in the world.
I have no inner monologue.
I think I will always be performing; I don't think I can take that away. Because I really just enjoy it. I like getting up to sing; I like the challenge of learning new material and singing it in front of an audience.
I can't be an ingenue forever, and I wouldn't want to be.
I watch a lot of TV - 'Perfect Strangers,' 'Family Matters,' 'Who's the Boss?' - then I go over my notes in the script, lock it into my head and go to bed.
The thing about Sondheim is that it does get very cerebral. You do need a faculty with words and a love for the lyrics to not just pull it off, but to have an appreciation for it.
Love your enemies... it's not always an easy tenet to live by... and I have more often than not been inclined to wish my enemies ill than well.
There are a lot of actors who wish there was a next play, a next musical. As an actor, I guess that's all I can wish for - the next role, the next opportunity.
In the modern operas that 'Miss Saigon' and 'Les Miz' are, nobody breaks out into song from conventional book dialogue. Everything is sung from beginning to end, including the recitative.
I seem to have a soft spot in my heart for Australia and Australian actors. After having worked with one in 'Cinderella' and a multitude of them in 'Cats,' I've wanted the opportunity to actually perform 'down under.'
When I was about 6, my cousin was very active in a Filipino repertory company, doing musicals and plays. Her aunt was one of the founders of the company, and she told my mom that there were these auditions for 'The King and I,' and that they needed kids. I auditioned, got in and the love affair started from there and just kept going.
I took some voice lessons here and there as a teenager but nothing too serious. I started taking it more seriously when I was in Miss Saigon. I needed to improve my technique in order to survive doing that show as many time a week as I was doing it. It's not an easy show to sing, so I needed all the help I could get.
I don't think I would've been performing this long if I didn't love it sincerely to the degree that I do. It's not enough to like it. Dilettantes like things. Professionals love things and I consider myself a professional.
I just refuse to date actors. I've done that, and I don't want to do that anymore. It's just the stress of traveling and being away from each other so much.
I was 28, and my mom was living with me. I had to decide. You have to claim it; you can't ask permission. After a gig in Singapore, she went home, I went to New York on my own, I packed her stuff in boxes and sent it home. I don't think she liked me for a while for doing that. It was something I needed to do to carve out my own space.
When I'm doing a one-on-one with somebody, I have to speak in a language that that person can understand, using a vocabulary that they instantly get, and I always have to feel my way around to figure that out. It's a lot of fun, and it's also really challenging - challenging in a different way from performing.
I think that if an audience is truly appreciative of a performance, they will show it. Sometimes though, there are little differences, and there are audiences that are very reserved even though they are enjoying the show.
