I'm sorry, I'm not a performing monkey.
We like to take picnics and sandwiches, driving through the green lanes. My wife loves the house, the dogs, and the animals we have around us, the deer and the fox that comes and pokes his head through the hedge.
I'm not sure if I'd call myself an extrovert. I think I'm a bit contradictory. I like being endearing and venomous at the same time. I guess it's one part of myself fighting against the other part, proving that I'm not that nice all the time.
I like jokes and one-liners. I enjoy entertaining and making people laugh, being the funny man. But when I'm launched into unfamiliar environments I shut down, and as I relax then my character emerges.
I'm incredibly self-destructive.
I don't hear anyone out there that sounds like us. They can try but it's in the sonics, the whole carcass of the song. The way it attacks you is so well engineered. No one else can do that. They don't have the ability to make that noise.
It's a bit of a bold statement, but the Prodigy should be seen as an important cultural band.
That's just the way the world's going - everything has to be so instantly commercial that it kills anything that's a little bit underground instantly.
The TT is a very precious thing to the riders. These guys that do the roads are very unique people. On the first hand you've got the bravery, the knowledge of the circuit, the guys live this - this is what they are about. I am very aware of that.
I think what's more important to The Prodigy is that, whatever number your album goes in at, or the single, or however many plays it gets, or doesn't get, or awards you get, or don't get; our reward, as a band, is to write the best album we can and then go to Download festival and rip it to pieces.