When I was 14, 15, 16, I was wearing 'Edward Scissorhands' and 'Nightmare before Christmas' stuff. I saw 'Sleepy Hollow' a dozen times.
I loved Tristan in Nancy Collins' run. I love Vampirella having a werewolf paramour; it's too fun. Coleridge had to come with them, of course, to set up her spooky new manor up in the hills of Los Angeles, and also because he's just a delight.
I have fond memories of all things Henson. I grew up on the stuff. My mom's a massive fan and made sure it was a part of my upbringing.
I still tell a lot of jokes and do a lot of funny comics, but the stuff I like best is the personal stuff. I will still occasionally talk about my job and retail, but it evolved.
I'm a huge 'Nightmare before Christmas' fan, but that was also Henry Selick. I'm a really big fan of 'Sleepy Hollow.' I love 'Big Fish,' too, which is a bit different. There's a really cool era of early-Burton stuff like 'Ed Wood' that I'm a big fan of.
I love romance stories; I've been working on 'School Spirit' over at Rosy Press, which is sort of a modern take on a classic romance comic - so I'm clearly a fan!
I like all of the books I work on to be ones you can pick up without knowing the entire history of the character, because then, not only can you enjoy it as is, but it encourages you to look into the history of that character and their world.
I love artists whose work feels animated! Matt Cummings, Ian McGinty, Jake Myler, Arielle Jovellanos, Drew Rausch, Zachary Sterling, Troy Little - I feel like most of the artists I've worked with have a lot of movement and life in their work.
There are things that I don't like to talk about directly. There are relationships that I am in and have been in that I've written about in a slightly more abstract way, talking about how it affected me but not so much dealing with the other people involved.
I love romance comics. I grew up with 'Archie' and got into other classic series as I got older, and I've been diving into 'Patsy Walker' since starting work on this project.
I would love 'Patsy' to join the ranks of superhero comics that have something for everybody and are new-reader-friendly, with an adventure every issue.
The Valkyries were an idea that my boss and I came up with when, at the comic shop one day, I mentioned how great it would be if there were a girl gang for women working in comic shops.
I am definitely a Tim Burton fan. I had seen 'Edward Scissorhands' enough times to know it by heart. That's exciting: to work on something you feel like you really get.
I think a lot of 'Edward Scissorhands' was about the suburban world that Burton grew up in feeling like an outcast. I feel like there's no way it's not at least a little autobiographical from that standpoint. I always liked that.
The primary goal for me in doing a superhero series is to make it new-reader-friendly, so it might not be front-loaded with all this history, but you can be sure it will show up!