The sky is an infinite movie to me. I never get tired of looking at what's happening up there.
Look. Art knows no prejudice, art knows no boundaries, art doesn't really have judgement in it's purest form. So just go, just go.
I think masculinity is bravado against the mystery of the universe of women. It's just a fear of not knowing what women have that's so powerful. It's this shield they put up to try to get closer.
I think I fall into a lot of cracks in terms of I'm too something. I'm too this, I'm too that. And my music has never really had a home. I've been this floating alternative. I'm too mainstream for alternative. I'm too alternative for mainstream. And I'm just kind of wandering.
When women make their image about youth and sexuality, and not about intellect, that's kind of a dead-end road. So I think it's a combination of self-entrapment and entrapment by society.
There needn't be a distinction between your life and your music.
Spend time reflecting on your emotional and physical existence and how that applies to the voice. You have to apply that wisdom and experience when you sing - it's what comes through.
I never get tired of exploring Americana or country music, and I always have a little bit of a crooner in me that never seems to go away.
I think I have allowed my voice to experiment with the different genres. And I think that I have just really enjoyed the journey of getting to know my voice and seeing what it's capable of, what it's not capable of.
Heartache is very fertile ground for song-making but so is happiness, so is absolute bliss.
I started singing when I was five. I grew up the youngest of four kids who all studied classical piano, so you could say I've been listening to music ever since the moment of conception.