My personality has two sides: a very social side and a reclusive side. I love writing fiction, although I can't imagine ever being locked up in a room writing all the time.
I stayed at 'Cosmo' well beyond my internship, moving up the ranks over some 15 years to become books editor, then brand director, then editor-at-large - editing everything from an excerpt of Gore Vidal's memoir to writing some of those juicy cover lines myself.
I think I'm more sympathetic to writers, to the work and the struggle and the craft of it, than when I was in graduate school at NYU and was very judgmental.
I take stuff from real life and try to make a character out of it. And I try to live the world of the characters a little bit.
I write in the mornings. I get up every morning at about six in the morning and write until nine, hop in the shower and go to work. Nighttime I usually reserve for re-reading what I've done that morning. I would be lying if I said I stuck to that schedule every single day.
I grew up in a two-bedroom house with my grandfather, my mom and dad and four kids. I slept on the couch or on the floor, and I always wanted to have my own space.
I've gone to readings to see authors after meeting them on Twitter. And while there, I've found myself sitting next to still more writers who I met on Twitter, too.
I always joke deep down I'm really a teenage girl on the inside.
My goal is to write books that are quality books with very real characters and a gripping plot.
My first day as an intern in the books department at 'Cosmopolitan' also happened to be the day the O.J. Simpson verdict was announced.
All my friends are female, I've edited for a magazine for young girls for 15 years, I relate to women, and I'm very, very close to my younger sister.
People are often surprised that I am so upbeat. I'm always hearing, 'You're so light and funny, and your books are so dark and twisted.' There's a dichotomy. I like books that are dark and creepy. I don't control it - it's just what I gravitate toward.
Gone are the days when a publisher could take out an ad, count on a few reviews, and have an author do a couple of signings. Nowadays, readers want to feel a connection with an author.