If nature offers no home, then we must make a home one way or another. The only question is how.
High Alpine meadows, like their near relatives prairie, desert and certain varieties of wetland, teach us to consider the world from a fresh perspective, to open our eyes and take account of what we have missed, reminding us that, in spite of our emphasis on the visual in everyday speech, we see so very little of the world.
I love long sentences. My big heroes of fiction writing are Henry James and Proust - people who recognise that life doesn't consist of declarative statements, but rather modifications, qualifications and feelings.
It's important to have quiet time and isolation.
This is a truth that should be repeated like a mantra: to have any chance of a ful - filling life, we require not only clean air and a steady climate, but also an abundance of meadows and woodlands, rivers and oceans, teeming with life and the mass existence of other living creatures.
In many traditions, hawks are sacred: Apollo's messengers for the Greeks, sun symbols for the ancient Egyptians and, in the case of the Lakota Sioux, embodiments of clear vision, speed and single-minded dedication.
A modern arboretum brings us that ancient forest and, with it, a changed apprehension of time, a renewed appreciation of the elegance of natural form and a renewed sense of wonder at the variety of the world we inhabit.
What the flamingo teaches a child, at that subliminal level where animal encounters work, is that gravity is not just a limitation, but also a possible partner in an intriguing, potentially joyful game.
Snow isn't just pretty. It also cleanses our world and our senses, not just of the soot and grime of a Fife mining town but also of a kind of weary familiarity, a taken-for-granted quality to which our eyes are all too susceptible.
It is common knowledge now that we depend on insects for our continued existence; that, without key pollinators, the human population would collapse in less than a decade.
I don't want to suggest that matrimony was necessarily a tragic affair - some of our neighbours' marriages seemed quite functional, if somewhat routine; nevertheless, in the workaday world, it is wedlock that is most likely to offer the occasion for life-threatening disappointment.
All my life, I have been a celebrant of Halloween. For me, it is the most important day of the year, the turning point in the old pagan calendar.
For a boy of ten, used to the coal bings and rust-coloured burns of Cowdenbeath, the fields and woodland of Kingswood, with its overgrown but stately avenue of copper-barked sequoias, felt like a local version of paradise.
As a child, I read a great many books in which animals and birds played significant roles, not only in the narrative itself, but also in creating the emotional and psychological atmosphere of that narrative - the imaginative furniture, as it were, in which any story unfolds.
The animal encounter poem is now so distinct a genre that it would be possible to create a full-length anthology from deer encounter poems alone, and many varieties of experience would emerge from such an exercise.
I remember when I first encountered anthropocentrism. I was in primary school and, in preparation for our confirmation, the class was learning about the afterlife.