Working-class actors have no identity. Our identity is playing every single poor person on 'Game Of Thrones.'
As much as it's really important, obviously, as a woman in the industry to be choosing the stories which represent women, you also have to keep an eye on the male side.
And if I have kids one day, I can tell them that I was famous on Instagram, which is really funny, and they will think that I'm really lame. Everything is temporary.
There isn't a right or wrong way to be depressed, anxious, or struggle with PTSD. Mental health challenges manifest differently for different people, and it's important that people see that on-screen.
I can't lie - I have one of those faces where you can tell. It's expressive and lends itself to being cheeky. I always tell the truth even when I should probably tell a white lie.
I think I worked way harder for the female directors than the male ones. There's nothing like women challenging each other to really make you do your best.
There's a tendency to still show women as being one way or the other - you're either soft and shy or you're really ballsy and funny, but I think that we're everything.
I just used to go to the same auditions with all these other kids I went to school with. I didn't feel like I was really good at acting. I didn't feel like I was a really talented person that needed to be doing this.
You've got to support male stories and healthy male relationships and things. You can't just be a woman that is only want to support female stories or a guy that's only wanting to support guy stories. It needs to all mix again.
Creating boundaries for yourself is healthy. A lot of panic attacks, in my experience, can be stopped by actually saying to somebody, 'Sorry I can't actually do this because I feel uncomfortable.'