A short story can be packed with meaning and impact, with the concentrated density of a collapsed star, but should preferably also have a kind of elegant simplicity.
Endings are the toughest, harder than beginnings. They must satisfy the expectations you have hopefully generated in your reader - not frustrate them, leave the reader grasping at elusive strings.
A screenplay adaptation of my 'Punktown' novel 'Health Agent' has been making the rounds. The screenplay was written by my friend, singer/songwriter Walter Egan of 'Magnet & Steel' fame!
I've never actually participated in role-playing games myself, except on one occasion when a coworker of mine came to my house and introduced my two brothers and me to a single game of 'Dungeons & Dragons.'
I first conceived of my far-future setting 'Punktown' in 1980, and though it contains 'punk' in its name, the term 'cyberpunk' hadn't been coined yet. I took my inspiration strictly from punk music.
Only when my 'Punktown'-based stories began seeing print did I demonstrate my proclivity for blurring the borders between horror, science fiction, and other genres.
I've polished up stories for their reprinted appearances. I guess there's always something to be changed or improved, but one could get carried away and work on one story indefinitely. I'm too restless for that, too eager to begin the next one.
