I'd probably be famous now if I wasn't such a good waitress.
I always seem to find myself fighting the law of equilibrium - the great leveling force that brings things to the mean and takes the 'cartoonishness' out of life. Perhaps I am doing a very unnatural thing... If Einstein were still alive I would ask him about it.
I brought a Border Collie back home to Vancouver from Wales - where some of my ancestors are from - and needed to challenge him in other ways than just being my pet. So I investigated sheep herding and took a few lessons, and decided I was probably learning more than my dog!
Hurry, conscious younger people! Get to power quickly so political decisions can be based on the greater good for all rather than the greater gain for few. Hurry, before it is too late!
'The Taxi Ride,' from my second album, is one people want to hear a lot. I'm consciously trying to walk on the sunny side of the street, to really lift myself into a place of greater positivity, and that's a sad song.
I tour alone. There's no sound check, no back up. I stay with the hosts; I am in a family home and it's really nourishing. I just have to remember after the show not to run out into the living room in my pyjamas. Every day, it's a new relationship being built. It's odd and wonderful.
Music is gathering. Taking our scattered thoughts and senses and coalescing us back into our core. Music is powerful. The first few chords can change us where no self-help books can.
If you ask someone if they like music, they look at you strangely. It seems to be a universal given. Like asking someone if they like breathing. It is like breathing. Or air, rather. Flowing without and within. A matrix within which our lives are set. The setting for the tableware of our beings.
When I made my way across childhood to the tinny AM radio, it was dark. Lights out. I listened intently. More intently than I ever had before. Something was speaking to my unformed-ness like a long lost friend. Something that I had never met but forgotten nonetheless. I was 'realizing' that music was 'different' from other things in life.
I have had the good fortune to experience both the limelight and the traffic light as a musician. I did my first recording on my own and it was available at concerts. The second to seventh were released on small and then large labels. My eighth to 14th were done under my own steam once again, but with the benefit of the Internet.
I try not to agonize over my lyrics, though, because that can come across in them. Some lyrics come more easily than others and some you have to spend a lot of time on, but I think you have to watch that you don't take the life out of them by worrying too much.
We live in a world where the laws are getting so tight that management has changed to micro-management to quantum-management to paralysis.
Maybe a part of me recognized how right the improvising spirit of jazz is. Not the sounds, but the freedom to work with musicians who work that way. It felt very natural to me, but I think there's a way to do it without it being a jazz record.
Everything I write is highly personal, but put in such a way that it's not dropping everything in someone's lap. Although sometimes I think 'The Taxi Ride' embarrasses me, because sometimes I think it's too close.