Words build a bridge between the imaginations of writer and reader, creating something unique between them.
'Thirteen Orphans' is the name of a specific limit hand. The same combination is also called 'Thirteen Improbable.' Once I'd decided I wanted to write a tale where mah-jong would be at the heart, I also knew I wanted to use limit hands.
When I was finishing grad school, the hot new PC was the IBM 286. Bulky. Immobile. Expensive. I touched-typed easily and quickly, but nevertheless, I realized that the machine was a chain.
Coincidence is a recognized element in 'real life.' All of us have anecdotes about those times when, by the merest coincidence, we avoided some disaster or stumbled onto some wonderful experience.
A common complaint about stories that include excessive coincidence is that the story is 'unrealistic.'
When a writer is already stretching the bounds of reality by writing within a science fiction or fantasy setting, that writer must realize that excessive coincidence makes the fictional reality the writer is creating less 'real.'
The sad thing is that, for many writers of fantasy fiction, the inclusion of magic seems to mean that logical ramifications and real-world laws both go out the window.
Diana Wynne Jones' excellent book 'The Tough Guide to Fantasyland' is a compendium of the sort of lazy writing that has given fantasy fiction - especially the sub-section that features elves and dwarves and other Tolkienesque elements - a bad name.
The futuristic city on 'Legends Walking's cover rejects any connection with the contemporary setting of 'Changer.' It was as if every effort was made to keep readers of 'Changer' from finding this stand-alone sequel.
In any story, drama may be intensified by the characters realizing by how narrow a margin they had managed to succeed - that is, where coincidence played a role. This is one of the more realistic ways to use coincidence because rarely do we realize how important a coincidental event is until after the fact.
I realize that, to many readers, Hard Fantasy may seem to be a contradiction in terms. Fantasy, according to most generally recognized definitions, differs from both 'real world' fiction and 'science fiction' in that magic or magical creatures are active elements.
I've never met any artist who illustrated one of my books, although I've corresponded briefly with one. I have always been impressed by the technical expertise involved in the covers, even if sometimes puzzled by the subject matter.
Even after the text is written, there are a tremendous number of stages along the way to the finished book. If a publisher cares about the finished product, none of them will be omitted.