The painting has a life of its own. I try to let it come through.
Painting is self-discovery. Every good artist paints what he is.
I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.
New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.
When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.
Every good painter paints what he is.
My painting does not come from the easel.
Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
The modern artist is working with space and time, and expressing his feelings rather than illustrating.
When I am in my painting, I'm not aware of what I'm doing.
It doesn't make much difference how the paint is put on as long as something has been said. Technique is just a means of arriving at a statement.
On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
The strangeness will wear off and I think we will discover the deeper meanings in modern art.
I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc.
The modern artist... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces.
He drove his kind of realism at me so hard I bounced right into nonobjective painting.
It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
My paintings do not have a center, but depend on the same amount of interest throughout.
Bums are the well-to-do of this day. They didn't have as far to fall.
