I score everything by hand on manuscript paper and then make copies.
The great thing about a record is it frees your imagination; it gives your eyes a rest and lets your mind wander. There's the special thing that each record can mean a different thing to every person listening to it.
Writing for TV or films isn't great art. You have to have a common denominator. It's up to the composer to make that common denominator memorable.
I just think the time and where I was brought up had a great deal to do in giving me the ambition to kind of get out and do something and not go into the steel mill.
You know, directors are funny people. They live with these movies for a year or more. And when you go in to score the picture, you're fooling with their child. They want to know everything that happens to the score - and why.
Film music, over the years, has taken from everybody.
Music has been taken over in this country by personalities and dominated by rock 'n' roll. There's been a synthesizer invasion and it's not going to go away.
I read magazines and reviews. If consensus says something is good, I'll get it and see what's going on.