I had to try to understand how much of a taboo it was. My mum worked in ballet and theatre when she was younger, and I had been brought up around lots of gay people, so I had never had any issue and couldn't imagine how hard it was to be out.
There's a loyalty attached to football, and it is more communal than theatre. If you go to the football, it is part of the structure of your life. For lots of people, theatre is a treat.
My mum was a costume designer and costume supervisor in the theater and, especially, the ballet. But that was before I was born.
If you've got a camera that's two feet away from you, you have to bring it all back down. It's a lot more insular. It's different brush strokes. Whereas on stage, you're playing to people who, depending on the size of the theater, might be 40 meters away from you.
When me and my sister were toddlers, it was 'The Jungle Book' literally every day. If it was lunchtime, it was 'Jungle Book' time.
Diversity is best in all contexts.
Glasgow's really friendly, with this impressive mix of real solidarity and identity that's very personal.
What I'd like to do is try as many different ways of working as possible. That's what I'm looking to do - collaborate with as many different directors.
I got to do school properly and all the stuff that you should do when you're young and teenage: first friends, first girlfriends. It wasn't like I needed to be doing acting.
I think, when you're younger, you're slightly spoilt with the situation you get put in and to get to work with the people I got to work with without really thinking about it.
I want as much as I can to try and explore different roles and different characters; that's important to me to get involved in as many different parts as I can.