There is no beginning and no end in music. Some people want it to end. But it goes on.
I found that the flute was too limiting. Soon I bought a microphone, then loudspeakers, then an echo, then a synthesiser. Much later I threw the flute away; it was a sort of process.
We don't make a distinction between an acoustic instrument as a source of sound and any sound in the air outside or on a manufactured tape. It's all electric energy, anyway.
A person doing experimental music must be responsible for the results of the experiments. They could be very dangerous emotionally.
The image of the robot is very important to us, it's very stimulating to people's imaginations.
We always found that many people are robots without knowing it. The interpreters of classical music, Horowitz for example, they are like robots, making a reproduction of the music which is always the same. It's automatic, and they do it as if it were natural, which is not true.