Sketching is almost everything. It is the painter's identity, his style, his conviction, and then color is just a gift to the drawing.
In a photo, you just do a click, but in art you have to put in so much energy. This concentration of energy and attention says something that other media cannot say.
An artist is attracted to certain kinds of form without knowing why. You adopt a position intuitively; only later do you attempt to rationalize or even justify it.
My work is a self-portrait of my mind, a prism of my convictions.
There's nothing more superficial to do than to paint a beautiful woman. The most beautiful portraits in art were of ugly women. If you paint Brigitte Bardot, it's a disaster. Sunsets, you have to stay away from sunsets. You paint a sunset, you are in great danger.
Art is always an exaggeration in some sense; in color, in form, even in theme, etc... but it has always been this way. It is the same with the nature of some works by Giotto or Massacio, or the color of life as expressed by Van Gogh.
Art is important because when people start to forget, art reminds them what happened. Like 'Guernica.' People would not remember the tragedy of Guernica today if it were not for that painting.
All my life, my girlfriends are always skinny. Beauty in art has nothing to do with beauty in reality. Why do you like primitive art? Because there is beauty in the deformity. Sometimes paintings that people consider realistic are not at all. Raphael figures look realistic, but in real life, they were deformed.
You paint what you know best; what you went through as a teenager and child. My world is the one I got to know in Medellin; I never paint anything else other than that.
I believe that it's better to have a conviction, believe strongly in something, and then the convictions create a style that reflects your mentality.
The only duty an artist has is in the quality of the art. There is no moral obligation to denounce. An artist confronted with a tremendous injustice sometimes feels inclined to say something. Denouncing the situation is the artist's choice.
I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
I have the sensation of doing something good for people, more than being a trendy artist or a successful artist.
I was drawing a mandolin, and I made the sound hole very small, which made the mandolin look gigantic. I saw that making the details small made the form monumental. So in my figures, the eyes, the mouth are all small, and the exterior form is huge.
An artist is born like a priest is born. If they are born an artist, I would tell them art is not a game: it is something very serious which completely requires everything you have to give.
My popularity has to do with the divorce between modern art, where everything is obscure, and the viewer who often feels he needs a professor to tell them whether it's good or not. I believe a painting has to talk directly to the viewer, with composition, color and design, without a professor to explain it.