Everybody feels like an outcast because the world is so large and every fingerprint is so vastly different from one another, and yet we have these standards and beliefs, and dogmatic systems of judgment and ranking, in almost all the societies of the world.
I am very much in love with no one in particular.
Housing Works is the coolest thrift store in the world, because not only are they the best thrift store - they're not the most thrifty thrift store - but they have amazing stuff and all of their proceeds go directly to kids, mostly homeless kids, living with AIDS and HIV in New York, in the metropolitan area.
It makes sense that we came up with our public school system during the Industrial Revolution because it's like everybody is a factory worker, eating their terrible food and going back to the room where you're silent and listening to an idiot. That's an epitomizing idea, getting called 'Nothing' for your whole high school experience.
I don't know if it's responsible for kids of my age to be so aggressively pursuing monogamous binds, because I don't think we're ready for them. The romanticism within our culture dictates that that's what you're supposed to be looking for.
I've fallen prey to my fair share of moments of the phobias of others and the way that that can become an attack.
I think everybody's crazy, and if I'm the one being a little direct about it, that's fine by me.
You know, I was really privileged to meet Woody Allen, who is now a filmmaker, let's be honest. He's also an actor. And he's classic. And because I have no conception of what classic fashion is now, I respond to his slightly outdated sensibilities.
I shop only at thrift stores and vintage stores. In New York, I like a place called Star Struck, and a place called The Family Jewels.
I'd say I'm drawn to characters that ring true to me. Adolescence is a troubled time for everyone, so a lot of those characters have been troubled, tortured people. It's been a great way to navigate my adolescence by having these more troubled kids as an outlet.
My first job was when I was eight. I did this opera, which was a Robert Wilson/Philip Glass opera, called 'White Raven.' That was a very confusing and trippy creation tale, and I was a kid who brought up the sun and rotated the earth. It was very empowering.
Every teenager deals in his or her own sexuality and has to face it and figure out how it can coincide with the rest of their lives in a healthy manner. And try to navigate it in our modern society, which is wrought with stigma and taboo and repression, and sort of as a result, these inner monsters that some teenagers really struggle with.
I'd like to make as much art as I possibly can before I die, so I'm working on a few things.
For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that's because my parents always treated me as an adult.
The token gay character is always so funny and so fantastic. That's happened a lot. Or they're often purely victims.
The No. 1 thing the people I have spent time with in my life have done for fun is playing music.
Doing things like playing music, something that's so natural and basic to human function, running around in nature, eating delicious food. These things are intrinsic in basic, primordial to human beings, so that's sort of a way to return to a blank canvas, allowing my true personality to return.
I don't need my sexuality celebrated, and I certainly don't need it to be criticized. I didn't necessarily want it to be observed, but here we are.
I always was very interested in intellect and the massive world of knowledge out there, but in terms of being a kid who wanted to be treated as an equal, school is not the place.
The way I would choose to identify myself wouldn't be gay. I've been attracted mostly to 'she's' but I've been with many people and I'm open to love wherever it can be found.
