By people getting together and celebrating this idea of togetherness, great things can happen.
I can tell you, without diversity, creativity remains stagnant.
My 'Vogue' is about being inclusive; it's about diversity. Showing different women, different body shapes, different races, class. To be tackling gender.
The white T-shirt is like a blank canvas - eternally versatile.
If you put one model in a show or in an ad campaign, that doesn't solve the problem. We need teachers in universities. We need internships. We need people of different ethnic backgrounds in all parts of the industry. That really is the solution: you have to change it from the inside.
I've always been very fascinated by technology - the Internet, social media.
I didn't know anything about the fashion industry until I met the stylist Simon Foxton on a Tube. I was 16, on my way to Kingsway College, and then my whole world opened up. Before that, like in every African family, you are meant to be a lawyer.
I was very honoured to be awarded an OBE in 2016 for my services to diversity in the fashion industry.
Being an immigrant and living in England, I feel like I lived in two worlds. There was the world that, when I was at school with my friends, was very English, and then I'd go home to another country, with exotic foods and colours. I have a sense of colour pairings, and that came from my background, I think.
The fashion industry needs to breed a whole different way of thinking. We need more diverse people working in all facets of the industry.
I love the optimistic American style that Gap celebrates and the simplicity of the basic white T-shirt that allows you to be yourself.
I was really sheltered growing up, with six brothers and sisters. We played together all the time, and I was living in a fantasy world, like most creative people.