When you're a kid, you have this feeling like you're indestructible. Your mortality doesn't even occur to you. But as time goes by, you realize, 'I better cut this out or that out if I want to continue to exist.'
You know, when you're making a record, you come up with 15, 20 songs. Then they start to fall by the wayside as your interest wanes. It's kind of like a process of elimination to determine which songs wind up on the record.
I'm doing exactly what I want to do, and I'm having fun doing it.
The stuff that I dig, it's usually got a soulful component to it. A singer that I really like. I might not understand the language that they're singing in, but I'm really communing with this person.
I'm compelled to paint nearly every day. I just felt like making a painting, went out and bought paints and a canvas. Now it fulfills me creatively when I'm not doing music: it's something you can do by yourself and it's totally yours. It's a great adjunct to my life.
We thought that's the way you were supposed to be if you were in a rock 'n' roll band. Flamboyant.
My father was a Norwegian tenor and my mother a New York Irish librarian.
Sometimes I've found that by getting into a certain drag, or a certain feeling, you can cast off your mortal coil and really do something. I don't know if it's important, but it's something. It's entertainment.
I'm not impersonating anybody. I'm perfectly satisfied with what I am.
You know when you read that someone has to leave a show or a tour because they had 'nervous exhaustion'? Well, I had one of those and discovered that I was quite close to death. I always assumed that my lifestyle was going to take me at an early age, but when it was actually occurring I was, 'Not yet!' I pulled back.