In a sense, human beings are human beings. Their feelings of aloneness, of brokenness, their feelings of hurt and disappointment, are universal. It's the ways they choose to act on their feelings that separates them.
People are three-dimensional. They're not good or bad. They're not righteous or unrighteous. They are a million different things.
Sometimes I feel like, those superheroes, if you threw a cookie at them, they would be more terrified than the villain because they might have to eat a carbohydrate.
I got the 'Stranger Things' script, like, a week before NBC canceled 'State of Affairs.' I really had this moment where I'm like, 'I'm done.' My neuroses is very sophisticated: I was like, 'I am done. Hollywood is done with David Harbour. They are finished.'
I do feel like anything benefits from character logic. That can be from the dumbest ad to the greatest Shakespearean drama to the silliest 'Saturday Night Live' sketch. There is a certain specificity in detail, which you can get when you're paying attention to stuff like that.
A lot of the characters I gravitate towards feel like outsiders.
Social media should be more like a cocktail party than anything else. You can have your fun jokes, and you can also express yourself and your beliefs. It's a conversation, not a sledgehammer.
The mythos of superheroes is our mythos today. They are American myths. 'Captain America,' 'Iron Man,' 'Hulk' - these are the biggest movies in the world. But sometimes, superhero movies can be a little bit thin.
Netflix sees people as users or subscribers or customers. Historically, networks have seen people as viewers.
The perils of success at a young age is being afraid to make a mistake.