Dara Horn
Dara Horn

Every person has a legacy. You may not know what your impact is, and it may not be something that you can write on your tombstone, but every person has an impact on this world.

Dara Horn
Dara Horn

I'm a person who always wanted to turn my life into an archive. Social media made my dream come true.

Dara Horn
Dara Horn

Sibling relationships figure in a lot of my books. You don't often see relationships between adult siblings explored in fiction.

Dara Horn
Dara Horn

I wanted to explore the kinds of hope and doubt, faith and disappointment, that shape the next generation, whether consciously or not. I suppose, in all of my work, I'm always going back in time.

Dara Horn
Dara Horn

Memory as an article of faith often comes naturally to writers, who by temperament are likely to be diarists and record keepers, forever searching past events for elusive patterns - and forever believing that such patterns are to be found.

Dara Horn
Dara Horn

My siblings and I had this theory that my parents were spies.

Dara Horn
Dara Horn

I think all parents have a double life.

Dara Horn
Dara Horn

The books are like children in that having written one doesn't make writing the next one any easier, because it's a new set of problems and a new set of challenges with each one, and having dealt with one before means that you now know how to do it.

Dara Horn
Dara Horn

Commanded by God dozens of times in the Hebrew Bible to remember their past, Jews historically obeyed not by recording events but by ritually re-enacting them: by understanding the present through the lens of the past.

Dara Horn
Dara Horn

The way I express ideas is through the plot, Suspense is an important part of expressing an idea.

Dara Horn
Dara Horn

I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.

Dara Horn
Dara Horn

I have another aspect of my career where I'm a scholar of Yiddish and Hebrew literature, and I'll say that when you study Yiddish literature, you know a whole lot about forgotten writers. Most of the books on my shelves were literally saved from the garbage. I am sort of very aware of what it means to be a forgotten artist in that sense.