Everyone finds their own version of Charles Dickens. The child-victim, the irrepressibly ambitious young man, the reporter, the demonic worker, the tireless walker. The radical, the protector of orphans, helper of the needy, man of good works, the republican. The hater and the lover of America. The giver of parties, the magician, the traveler.
Why do we read biography? Why do we choose to write it? Because we are human beings, programmed to be curious about other human beings, and to experience something of their lives. This has always been so - look at the Bible, crammed with biographies, very popular reading.
Throughout his life, Dickens cared passionately about orphans.
All writers behave badly. All people behave badly.
'Philomena' was even better than I had expected. I was so pleased to see the evil Irish nuns thoroughly exposed, and I thought Judi Dench gave a flawless performance, as did everybody else.
The thing I love about Rome is that is has so many layers. In it, you can follow anything that interests you: town planning, architecture, churches or culture. It's a city rich in antiquity and early Christian treasures, and just endlessly fascinating. There's nowhere else like it.
'A Christmas Carol' has been described as the most perfect of Dickens's works and as a quintessential heart-warming story, and it is certainly the most popular.
Dickens is a lover of human beings; a relisher of human beings.
When I wrote about Mary Wollstonecraft, I found that here she was, in the late 18th century, going to work for the 'Analytical Review.' What was the 'Analytical Review?' It was a magazine that dealt with politics and literature.
You become more tolerant when you become older. You're not interested in rapping people over the knuckles; you're interested in understanding them.
Biographers use historians more than historians use biographers, although there can be two-way traffic - e.g., the ever-growing production of biographies of women is helping to change the general picture of the past presented by historians.