What's happened - in our country, anyhow - is that the young people have shied away from the formality of the concert hall, that tie - and - tails philharmonic image.
Whether it's string writing or whatever, I try to write for what each instrumentalist can do best.
With four people you can create one very strong kind of energy, but if you can get 65 people working together, and swinging together, that's a whole other kind of energy.
My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.
A studio recording is perfection, but emotion and passion come only when you turn on the machine and go for the groove. If you do that with no mistakes, it sounds beautiful.
Brazilian music has many of the ingredients that I strive for in my own music: Strong melodies and a disciplined but intense rhythmic concept, and interesting harmonies.
I am glad that I wrote something that brought joy to millions of people.
I can count on one hand the number of instrumental hits there have been over the last ten years.
I have been recording for five decades now.
I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance.
I tend to not want to put labels or categories on the music, only because people come with preconceived ideas about what they're going to hear, or won't come for this reason.
I was blessed to work with The Jazz Messengers when the two piano players were Keith Jarrett and Chick Corea.
I write music people enjoy playing and listening to, and I have a group that loves playing the music.
Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.
Music is meant to be a beautiful thing.
My goal was never to sell many records.
My music has always been strong in melodic content.
Then I loved the fact that we were actually recording live.
To do it always right, that is what music is to me.
1972 was a year of many pleasant and rewarding experiences for me:
