I tell you this: if I was in the house with those people in the Bergman flicks, I'd walk right out, much less pay $5 to see them.
I hung around New York and did a little stock-company stuff. I wasn't really sure at that time if I even wanted to be an actor. I got no encouragement.
When I was a kid, I was always drawing things. I'd get butcher paper or grocery bags and draw on them.
Maybe I'm too masculine. Casting directors cast in their own, or an idealized image. Maybe I don't look like anybody's ideal.
What kind of man would I have been if I had not been there to help her? I felt along with her - not the physical pain, of course, but all her mental anguish. You can't be detached.
I look like a quarry someone has dynamited.
We found that specialists did not know as much as we thought. So, you think maybe there are other answers. There are not but if you belief something will help you it probably will: it will help, not cure.
I felt along with her - not the physical pain, of course, but all her mental anguish. You can't be detached. She needed to have someone who understood what was happening in her mind.
Times were poor. I wore hand-me-downs. And because the kids just older than me in the family were girls, sometimes I had to wear my sisters' hand-me-downs.
The critics never see my role as it is - as a man protecting his garden killing poisonous snakes. Instead, they say it's just me again committing violence.
In Ehrenfeld, we were all jammed together. All the fathers were foreign-born - Welsh, Irish, Polish, Sicilian. We were so jammed together, we picked up each other's accents. And we spoke some broken English. When I got into the service, people used to think I was from a foreign country.
I wouldn't tell Jill how I felt. I behaved in such a way that was opposite to how I felt. I must have seemed strong to her. I didn't want to bring her down.
I can play the character better because of the roundness of my experience - because of the things I've been through. All those method guys - like that De Niro, Stallone, and what's his name, Pacino - they're all the same.
I am not a Caspar Milquetoast, but most of the time, I'm mild. I can afford to be because I don't have the fears that most men have about masculinity or macho-ness.
Don't ask me to explain a mystique. I'm just enjoying all this while it lasts. I'm basically doing the same thing I was doing 20 years ago.
We don't make movies for critics, since they don't pay to see them anyhow.
I'm entertained more by my own thoughts than by the thoughts of others. I don't mind answering questions. But in an exchange of conversation, I wind up being a pair of ears.
When you act, your whole body is the instrument.
I supply a presence. There are never any long dialogue scenes to establish a character.
I don't look like someone who leans on a mantelpiece with a cocktail in my hand, you know.
