Turn on, tune up, rock out.
Well, everybody faces the fact there really aren't many records stores around to just go and browse. Maybe browse online, yet that tactile feel of flipping through a stack of vinyl remains one of life's simple pleasures.
The blues is a mighty long road. Or it could be a river, one that twists and turns and flows into a sea of limitless musical potential.
White people get nervous and speed things up. You don't have to be in a hurry because you ain't got nothing to gain and you ain't got nothin' to lose. And that's where the groove lies.
The rawness and the richness of music on vinyl almost went away, but it still seems to be on a lot of people's radar, and for good reason. It does something different than more accessible means of music playing, like MP3 players and downloads and whatnot. You get in front of these archaic contraptions that go 'round and 'round.
Sooner rather than later, any other form other than digital media will be a thing of the past. It won't vanish, but let's face it, this is seemingly the way of the future.
Having a visual element to your band is a good thing.
Can't do it, simply cause underneath 'em is too ugly.
It's a real uphill challenge to battle the white-guyness.
It's important to collect unusual characters. It keeps you sharp.
Did Muddy Waters play an acoustic? Well of course he did. But did he turn his back on being able to plug it in and play louder? No, he plugged in and turned it up and got miles and miles ahead of the game in one fateful act of just plugging in.