My height can be a problem. A lot of directors and photographers are sometimes not happy because I'm pretty tall and especially if I work with short actors the difference can be pretty massive.
A character on screen that's the 'good guy' or the 'bad guy,' they're never interesting. There's got to be an internal struggle, the duality is important to find.
I love the story behind the Vasa Museum: in the 17th century, the Swedish king was trying to make a statement by building a huge ship that would sail around Europe carrying the Swedish flag and proving that we were a force to be reckoned with, and basically, the ship was top-heavy, and so it went 300 or so yards and sank.
I see myself as most people see themselves, you have good days and bad days. I don't think I'm better looking now than I did three years ago.
I'm always looking for something that's real and that's got meat on it. I think it's artistic suicide if you're too vain, or if you're afraid to play ugly. I would never fall for that.
I've always been a night person. There's a sense of virtue attached to getting up in the morning and doing things and starting the day, and I always felt bad for not being that person.
To me, it's all about inspiration. What gets me creatively excited is a challenge.
I come from a family of pacifists, so it's not like I was going to join the war. Sweden is not like the States or England where you might get sent to Afghanistan next month.
I have three older brothers, and each one of them has chosen one of my parents' education. Two of them are actors, and the third is a doctor as my mother is.
Acting was always there, it's true. But for a long time, in my teenage years, I wasn't sure about it - not because I didn't like it, but I didn't want people to think I hadn't earned it.
Sweden is a small country and, well, our family's pretty prominent in that world, I guess. And I really didn't like the sound of just being 'the fourth acting Skarsgard.'
I've lived in California for six years and I've never surfed.