Problems emerge and some people try to sweep them under the rug.
From its inception by Michael Bennett, 'Dreamgirls' has always been an epic story with an ensemble cast. I didn't change that. The screen version remains, really, a group story.
I think that finding a way into somebody's life that's sort of off from a side angle can tell you more about that person than a greatest hits approach.
Kinsey himself collected absolutely everything.
I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.
It is interesting to be here and to see that for certain actors they have to live in a way that you think of nobody living anymore except for in small towns. They have such elaborate double lives.
When it comes to two of the big social earthquakes in the last fifty years - which are the gay movement and the women's movement - I think there is a direct line from Kinsey to those.
Kinsey thought that Freud in his own way was as dangerous as the Catholic Church.