Usually, I'll drop twenty to forty per cent of the dialogue - you can do so much with gesture. I'm still waiting to do a silent film.
It's okay to fail 'cause there's no failure, you're just informing the richness of your experience, and that's - that's the greatest gift you can possibly give yourself.
We live in this thought web; we identify things and put them away and distance ourselves from them. But to be completely present? That is source, that is art, that is spirituality. And meditation is a way to defy fear and experience that source.
We've turned film into such an industry that we pursue naturalism just by shaking the camera and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven't done the homework. To push the depth that the Actor's Studio did or the Russian theatres did with their actors is to rehearse, to spend time, to dig, to excavate.
I'm not going to beat this life. It's gonna get me in the end. So accepting that is a real freedom and finding a joy in working that I haven't allowed myself before.
I'm learning not to hold on so tightly to my solitude. It's not an economical way to work. A driver would call it 'white-knuckling.' If you're holding on to the wheel so tightly, it's gonna lock up your driving. Releasing myself from trying to control everything has been part of growing up.
I don't like to rehearse, and the film-makers that I have been drawn to are interested in provoking something between people rather than nailing a scene in advance.
I have a lot of respect for, always dig, the crew. Sometimes a lot more than the cast. But a good run production team is paramount to making a good film. You just can't it done without a good line producer, without creative producers, without people who are making stuff happen.
The heat around young actors burns out. Natural ability and magnetism only get you so far. The rest is hard work.
I'm so sick of sarcasm and irony, I could kill! Sincerely, the real root of things is love and sacrifice.
Every job is a blessing. Everyone has to take into account what is available. Are you paying rent, who do you get to work with? There are a lot of variables in the job. What I'm drawn to is things that I don't completely understand maybe, and want to get a better feel for it.
My heroes were always Looney Toons, Robin Williams, the Three Stooges. I think everything I do is kinda funny. I think I'm sort of ridiculous.
'A Streetcar Named Desire' is one of the best, if not the best, modern American plays. It deals with family dynamics, mental health, PTSD, war, and love. It's hard to beat.
I think a long-term TV show is probably not for me, but doing a few years of something could be interesting.