Those things don't happen today. I feel sorry for the kids in the industry today. They have on sunglasses, eat caviar in jet planes, but they'll never know the true feeling that we did.
We were doing things with a hundred per cent feeling. It wasn't programmed. It wasn't asked for. It wasn't structured. It was just there. It was very raw. I don't think the industry would allow that to happen again.
I still think my whole career was accidental. I didn't pursue it. I feel like I'm cheating sometimes.
In my vocal, I think you can hear something of my earlier times when I'd sing in subway halls for the echo and perform doo-wop on street corners. But I had a lot of influences, too - singers like Sam Cooke, Brook Benton and Roy Hamilton.
One of the members of the group, I can't remember which one, found out we were making $3 - $5,000 a night. We were getting a hundred dollars a week a piece. Everybody got upset about it.
One minute we can be in a small club, the next minute we can be in a coliseum, and the next minute we can be in a small auditorium. It varies, depending on the promoter, the budget, and the travelling distance.
At that time, we were in charge. We didn't ask. We just did. We just did what was in our heart.
Many times I've gone on tours with Paul Anka. He would have someone sitting behind him to keep people from even talking to him. You were almost in a little restricted area there.
He was a manager, one of the singers, I guess talent coordinator for the local talent in Harlem. His name was Lover Patterson. He was living right across the street from where my dad had his restaurant. I guess he saw a lot of kids come in, a lot of my buddies.
Yeah. I've been pretty fortunate to travel I guess, all around the place.
I never even visualized for a second doing what I'm doing.
Of course, the kids who had never heard of a person called Ben E. King were then aware of the name associated with the song. That gave a tremendous lift to me as an artist.
It never dawned on me at any particular time of my life that people are paid tremendous money to sing.
You were able to sing something they related to instantly, because it was part of what you felt. It was part of what you had already traveled through. It's part of the people you were associating with daily. It was all of that.
When I got involved with The Five Crowns who later became The Drifters, and we got this hit record, I still was looking at this as kind of a fun thing.
I do a lot of Vegas work and work with the comedians.
If there's anything about the business that I love and that I'm extremely happy about, is that my career started at that time and that I met some of the greatest entertainers at that time and some are still here.
The industry now wants to be in charge of everything.
And, because there was an honesty about all that was going on. It connected with the people in the street.
The movie is actually from a book by Stephen King called The Body. When they were gonna put it to a motion picture, they found the story was a bit too strong for the title The Body, based on a young kid's movie. It would be too heavy.
