It's amazing how a competitive nature can turn a negative into something positive.
You've got to really be able to accept the rejection.
If we didn't get the record, we didn't exist.
We lived, ate, and breathed pop songs.
Probably most successful songwriters have an innate songwriting ability.
We became the songs we wrote.
I also used to work in the Catskill Mountains as a bus boy, and I performed in talent shows.
I looked through our catalog year by year, and I saw that there were pockets of time when we wrote some terrific songs. Then all of a sudden, we'd go for another two or three months and there weren't great songs.
I know at the beginning of our careers, my wife and I were gut wrenchingly competitive.
If we were the team that won out, then life was good and we felt that we were worth something.
If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
I think that most writers who wait until they're inspired to write are just waiting for the fear to subside.
You have certain writing tools but generally creating something from nothing makes one quite mad and Cynthia and I are quite mad you know.
A guitar riff played on a piano doesn't come close to the purity of it being played on a guitar but I faked it enough to get by.
It's very hard to teach someone how to write a song if to begin with there's no creative crop to harvest.
I get a different kind of lyric from someone else that might make me go in a different musical direction.
I think if one wants to be in a continual state of insanity one should stay married to that writing partner.
Cynthia's lyrics always expressed the feelings people felt but they couldn't express themselves.
I've written songs sober and I've written songs high.
The real danger of writing a great song when you're on something is that it might get you thinking that the only way to repeat that is by only writing when you're high.
