I think that the dialogue between police officers and the black community has to get better, but not better in a way where, 'Oh, let's talk about it when something horrible happens.' The dialogue has to be going on consistently, every day.
I watched the 'Seven Samurai' a lot because I loved it growing up. I can't describe to you how powerful that was. When you're a kid, you can't watch an almost-three-hour movie, but this was a war I just never saw before, with these samurai. I could relate to it, just being poor.
We talk about how hard it is now. But if we look back at the '60s, we actually had a president that was assassinated. We had riots, we had Vietnam, Martin Luther King, Malcolm X, the FBI, and the Black Panther war. There was so much happening at the time where it felt like America was coming apart at the seams.
I like the platform to show your art and everything that goes along with that. To show your voice and hopefully find films that are more politically driven, films that maybe inspire.
I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
When you're sitting ringside, there's a primal thing there that hooks into violence and excitement. It's just two guys going at it in the ring - there's no team, no one to pass the ball to - and there's a certain excitement to that.
I grew up an athlete, growing up in Pittsburgh. I played basketball. I played football. I played a little bit of baseball in my earlier years.
What's it like finding out Denzel Washington wants you to direct his next movie? It's like getting a phone call from Muhammad Ali or Michael Jordan saying they want you to coach them.
At one point, there wasn't a black quarterback in the NFL. When you start winning, then you start seeing more. Jumping up and down and screaming and calling people names is not going to change anything.
My experience of test screenings is that you don't know what kind of mood people are going to be in, and sometimes the studios accept what Joe Blo says - and this guy could just be a frustrated filmmaker, or not paying attention.
It's a hard line to walk, man. Cause you know you want to make this movie, you want to make it dark and real, you want to show all this stuff but unfortunately you can't always do that.
So it's hard to be an artist and be true to the reality of the world you want to create and also make it entertaining and successful financially.