You want to go into scenes thinking not that you're the good guy or the bad guy, but that you've got a job to do. And I'm not talking about as an actor; I'm talking about as the character.
Andrew J. West
I have had the opportunity to work with Andy Lincoln a lot. He's got a remarkable process. He just has these ways of sinking into the scene and into character that are very physical. He'll make these sounds and these grunts and these moans... I don't know what it is that he's channeling! It lets you know it's okay for you to do that, too.