As soon as I figured out I didn't know anything about music, I was OK. It's when I thought I could learn something that I was in trouble.
The electric guitar's a pretty cheesy thing when you think about it, still working on those bits of wire and magnets for its sound. It's all of the things that are wrong with it that have made it the unique instrument it is.
I love music - really a lot. That's why I do it. But mine just never makes it, to me. There's always something wrong with it, something I want to change. But I like that, because at least it keeps me looking, trying to find ways I can improve, which obviously are a lot.
Whenever I watch a movie I like to imagine what sort of music I might compose for a scene, to create a particular kind of atmosphere, because when I see something I hear something.
There are good people in radio and the record companies, but there are others who are completely in the wrong job and holding music up in the process.
Jazz is something that's constantly changing. Its sole purpose is to let people improvise, to let them solo differently each time they play. And that's always been what I like best.
Music moves forward so quickly; music is an accumulation of knowledge, and musicians keep getting better and better.
Record companies tell me to play something more commercial, but I don't want to do anything else.
I didn't decide to play guitar, but that was the instrument which I was offered. I've always been interested in horn-type instruments, such as a saxophone; but those instruments are very expensive, so my dad bought me a guitar instead. I didn't like the guitar at first, but after noodling on it for several months, I developed a feel for it.
I'd get another job before I would play music I don't enjoy. But then, I'm really not qualified to do anything else.
In a way, I think the whole business is pretty corrupt. It's like anything else where people make a lot of money - it's really hard for the little guy.
When I practise scales I will play four notes on one string. If I'm playing a C major scale, starting on F, I'll play the F, G, A, and B on one string and the C will be on the A string, etc, etc. Because I found not only was it good for my hands but it was really good for interconnecting things.
My music is written with one goal in mind: to improvise. It's like explaining a great story in words, but without words, much faster than you could with words. It's like a direct line of instantaneous communication where you don't have to wait for the end.
It's obviously flattering when somebody likes something one is doing. But at the same time, I get embarrassed about it. It's the 'I'm not worthy syndrome.'